Sonic Youth, Erase Errata Kick Off 'Buddy Series'
 
 
Sonic Youth and Erase Errata have joined forces for the debut of New 
York-based Narnack Records' "Buddy Series," a limited edition, 
bi-monthly, themed, split single of colored vinyl. The first 
seven-inch offering finds New York's Sonic Youth and San Francisco's 
Erase Errata (who played shows with Sonic Youth last year, and will 
be doing another with SY in August), each offering a song about 
everyone's favorite diva, Mariah Carey.
 
 
SR's Kim Gordon wrote and sings "Mariah Carey and the Arthur Doyle 
Hand Cream," which addresses Carey's high-profile "breakdown" of 
2001; the song was recorded at the group's Echo Canyon Studio in New 
York City. Erase Errata, the self-described "edgy, not angry," 
all-woman Bay Area quartet, apply their "ready-set-go" approach to 
music crafting, as lead singer and trumpeter Jenny Hoysten describes 
it, to their rendition of Carey's "Glitter," the title track to the 
star's failed album and film of the same name.
 
 
Sonic Youth guitarist/singer Lee Ranaldo, in an email to Neumu, 
implied that the song and Erase Errata's cover are tributes to Carey. 
"I think for one thing the whole controversy about Mariah's being 
dropped by her label  and how clueless the music industry can 
be at times, just throwing money at problems and then cutting loose 
with huge losses  really made her a very sympathetic figure."
 
 
As for Erase Errata's interest, Ranaldo wrote. "I think perhaps the 
girls in EE heard we were doing this song and responded in a show of 
unity.
 
 
Over the years Sonic Youth have recorded material about or by other 
female pop stars. As Ciccone Youth (Madonna's full name is Madonna 
Louise Ciccone), the group made a number of recordings, including 
1988's The Whitey Album."Tunic (Song for Karen)" on 1990's 
Goo is about Karen Carpenter. Ranaldo said he had no idea if 
other stars would be the subject of future SY songs. "Hard to say if 
there are more [coming], but we remain interested in pop culture and 
how certain representatives of it conduct their lives in the 
spotlight."
 
 
Ranaldo said that Sonic Youth are fans of Erase Errata. "We did a 
bunch of shows with them last year and really enjoyed their energy 
and proto-no-wave attitude," he wrote. "They really rock and 
represent from SF!"
 
 
The new series couples an established veteran band with an 
up-and-comer whom Narnack (founder Shahin Ewalt, Ryan Westerski and 
Camille Sciara) is excited about. Sonic Youth, label founder Shahin 
Ewalt's favorite East Coast band, was picked because "musically, they 
have been the biggest influence for me, Ryan, and Camille," Ewalt 
wrote in an email to Neumu.
 
 
The limited-edition Sonic Youth/Erase Errata single is a total of 
4,500 seven-inch vinyls; 1,500 white with numbered discs, the 
remaining 3,000 black with numbered inserts. All feature colorful 
die-cast jacket artwork  a line drawing of Carey over blurry 
rainbow colors (Carey titled her 1999 album Rainbow)  by 
Milton Crane.
 
 
Narnack Records was started in May 2002. Ewalt invited his old 
high-school friend Westerski and his former Knitting Factory 
colleague Sciara to join him in NYC. The company chose to focus on 
developing "bands we like and we believe want to create some sort of 
community of musicians and artists," wrote Ewalt.
 
 
The next "Buddy Series" will pair San Francisco Bay Area bands 
Deerhoof (5RC) and K.I.T. (unsigned), the theme and release 
yet to be determined. Ewalt describes Deerhoof's sound as "somewhere 
between melodic and fucked," and K.I.T. as a group "perfect for 
smokers who want to dance, but can't sustain the epic guitar solos. 
One-minute wonders nailin' the G-Spot on impact." There is also a 
pairing of Young People and Friends Forever coming soon, the 
preliminary theme slated to be based on U2's "Where the Streets Have 
No Name."
 
 
Currently, the singles are available on the Web at the Narnack site, and in a 
limited quantity in some record stores.
 
 
Ewalt said future "Buddy Series" projects are in the works, but has 
deliberately not chosen to stick with any particular formula for 
producing them. "Narnack hasn't really confined itself to strict 
parameters or a rigid belief of what types of bands we want to work 
with," he wrote. "We are always talking to the bands about ideas and 
themes. We like funny things."  Nicole Cohen [Monday, July 21, 
2003]
 
 
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